The May 2003 KS3 Tests
- What Teachers Think

Our English Department has done everything possible to ensure that students were fully prepared for the new style English tests at KS3 this year. We held booster classes for Year 9 students, many of these taking place after school and during the Easter holiday. We have also prepared pupils intensively in class time since January using the materials provided by QCA. All Year 9 English teachers undertook in-service training on the tests led by the Torbay Literacy Consultant. The National Literacy Strategy has been fully implemented within the School, including our less able students completing the Progress Units.

Despite all this, however, the vast majority of our students were quite unable to access the materials provided for assessment in last week's tests. Difficulties arose, particularly for 'average' level 5 students and below, in understanding the language of the three texts chosen for the Reading paper. For example, the words "desires" and "motivate" (Question 1), "shrouded" (Question 4), and "thicket" (Question 10), are not in the vocabulary of many of the students sitting this examination.

Further, the phrasing of the questions on all three papers was generally unhelpful and sometimes positively confusing. On the Reading paper candidates were puzzled by references to particular paragraphs by number in the questions, not knowing whether to count the preamble to the passages as the first paragraph.

Serious problems arose with the instruction for Section A of the shorter writing task for the 'Macbeth' paper, where the wording of the task is fragmented and unclear. The instruction "write a contribution" did not convey clearly what was required of students. The use of the word "villain" and the phrase "strangely compelling" in the question baffled the majority of students.

Of the three Section A Shakespeare options, the 'Macbeth' paper seemed particularly unhelpful. For 'Henry V' the question in Section A gave students a choice of tasks, even providing 'props' to help students to organise their ideas. The 'Twelfth Night' task was also worded more clearly, and with a theme that would be more likely to engage the interest of students in this age group. It seems odd that students were asked to spend 30 minutes on Section A which carries 20 marks and 45 minutes on Section B which carries only 18 marks.

On the Writing paper the instruction was again confusing. On their planning sheet students were asked to organise their writing in a framework of three boxes arranged very much in the style of a newspaper or magazine, with a box for a headline at the top, and three parallel oblong boxes underneath. These had the appearance of columns of print, seeming to suggest that the newspaper report students were asked to write in their answer booklet should be set out like a newspaper. At the end of the question, however, there was an instruction not to write in columns, but this was feint and not highlighted, and I am sure that many students missed this direction.

I feel that our students were put through a quite unnecessary ordeal and that their confidence in English has suffered a severe blow. On a more general note, I must say that I am dismayed at the remorselessly utilitarian and obsessively technical nature of these tests, there being no opportunity for students to display their creative talents.

Patrick Lamb, Torbay

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The three key criticisms would be:
1. The paragraphs weren't numbered on the reading paper and yet you needed to be clear which paragraph this was in order to be able to answer questions. One paragraph ended with three dots and the next paragraph (not indented) continued on the next page. Pupils who understand that dots can be used as a linking device would have been totally incapacited on both the reading and on the question about the punctuation marks' function (at the end of paragraph 3).
2. The writing paper asked for pupil's "CONTRIBUTIONS" to a book. Are we trying to deliberately blind pupils with the actual question itself? This is a University level academic term for a written piece: surely we try to make it clear in examination questions what is required. The test is whether they can do it, not to see if they know what it is?
3. The questions generally were couched in pompous language requiring a reading age beyond 14. This before they even tackle the language of the passages themselves. The entire effect was, I felt , of would-be clever amateurs who know nothing about modern schooling, coming up with a paper that reminds them of O level. Exam Boards could tell them this if they would only consult them.


Gareth Calway, Norfolk

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What's this rubbish on the so-called 'Macbeth' paper? As Macbeth is a villain, write about why we find villains so attractive? This is fine for Titus Andronicus, Othello or King Lear, but how can the real
villains in these plays (made appealing by soliloquys and their wit) be
sufficiently comparable to Macbeth that teachers will have even explained to their classes what a Shakespearean villain is?
We had students in tears because they could not understand the question.

Rob Miles, Dorset (Getting ready for the appeal)

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The writing paper (30 mins + 15 mins planning) was an exceptionally dull task. Pupils came out commenting that it was 'boring'. Challenging? No. Difficult? No. I would also question the purpose of this task as a dreary test of functional literacy. Pupils were asked to write a newspaper article and make up events, people and quotes. Surely, it is not appropriate to ask journalists to invent facts?

Caroline Croll, Twickenham

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Quite apart from my general distaste for SATs - and for English at KS3 in particular - I object most strongly to the first question on the so-called Shakespeare paper last Friday.

The connection between this "thematic" question and the relevant play was at best tenuous in all cases but I feel there was something of a lottery involved in which text a pupil had studuied. If the intention was that all children should be able to base their answers on something they recognised from personal experience, the "Twelfth Night" question on dress and fashion at least gave them a little to go on. The "Macbeth" version, however, demanded a response to a quite erudite philosophical concept. And for "Henry V", pupils were expected not only to invent an imaginary situation and the history behind it but also to write a series of unfocussed persuasive statements based on this amorphous background. Further, the wording of the questions was excessive and distracting.

A large number of our students had to ask for assistance in these circumstances and I can quite understand why. Colleagues who were invigilating and saw the paper at the beginning of the session were independently of the opinion that the first question was overly difficult and demanding. Children were distressed; there was a measure of panic and some were even in tears. I have never witnessed such scenes and was confirmed in my belief that no examination is worth that amount of stress!

Peter Devine, Harrow

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We study "Twelfth Night": the question was ridiculously hard, more A level than KS3. How does Viola use language to hide her true feelings? What our level 4s and 5s made of that, I dread to think. Of course, they loved the question on fashion, but that was banal in the extreme. The "Treasure" reading paper was the prettiest exam I've ever seen; how much did it cost to produce? And that's the best I can say about it. Let's boycott next year!

Elizabeth Ridout, Sutton

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The Shakespeare Paper - Friday 9th May 2003

The exam was started at 9.10am. By 9.15am it was clear that a large majority of students were confused about the task in Section A. Masses of students raised their hands and told invigilators that they didn't know what to do. Unable to help them and seriously concerned, the Exams Officer for Prince William School immediately sought help and advice from the Deputy Head, the KS3 English Co-ordinator and other English Teachers. Knowing that we were unable to assist students in interpreting the question we could only advise that we reassure students to try their best and try not to be unduly worried.

In our Learning Support Centre, staff were frustrated and angry that many of the students receiving support simply could not understand what they were being asked to do. We are particularly outraged that one student, a girl with a chronic form of cerebral palsy, was so distressed she dissolved into tears and was unable to write anything in the whole test.

Throughout the day, English staff were faced with children who were worried and upset thinking that they had failed. It became clear that many of them had written little or nothing for Section A, therefore jeopardising 20 marks.

It is entirely clear to us why this happened. The task in Section A has many flaws, as identified below.

Inappropriate wording of task
The task immediately alienated students of a lower ability unable to grasp the contradictory notions of 'light-hearted' and 'villain'. Similarly, the phrase 'strangely compelling' is far too sophisticated for the majority of thirteen year olds. Including words like 'Commissioning Editor' simply serves to make the paper appear more complex than it is and has no purpose.

Overall, the language of the task appeared well above level 4 in complexity, thus youngsters who had worked hard to achieve a level 4 were not able to show what they were capable of.

Difficult to ascertain the actual task
The first sentence of the task is placed outside the text box. Because students have been guided to see the boxed information as source material, many of them thought that this sentence was the task itself.

'In real life, no one wants to meet a villain like Macbeth, but in books, on stage or on screen, villains can be strangely compelling. After all …'

Their misunderstanding was not helped by the fact that the sentence ends '…' suggesting that the students continue the sentence with their own writing.

The interior box includes a letter to an English teacher. Many students, unable to see clearly what they were being asked to do, wrote a letter to the editor in role as the English teacher that included contributions from make-believe students.

Those students who correctly deduced that they were being asked to write a contribution for the book that they would give to their English teacher, were then confused what form their contribution should take. They were confused by the fact that the letter asked them to 'analyse' and yet to do so in 'short pieces'. They knew they were writing for 30 minutes, so were unsure at what length to write.

The actual task, 'Write a contribution for this book,' although in bold, is placed inside the text box and is therefore difficult to identify as the instruction.

Students unsure of the form their writing should take
In addition to the above points regarding length, students had no knowledge of what a 'contribution' to a book would look like. We have taught our students to recognise and create a wide range of written forms including: articles, letters (both formal and informal), diary entries, reports, instructions, leaflets etc. Never have we taught them the structure, tone or register of a 'contribution' to a book. What form of writing are the examiners looking for? As teachers, we ourselves felt unsure how we would approach the task - so what chance did our Year Nines have?


The nature of the task was such that we were unable to prepare our students adequately. We taught according to the 'triplets' but we used familiar, generic forms to do so. The nature of the task was clearly open to interpretation - fine for students at level 6/7, but not for students who are aiming for a level 4.

The task distressed students
We are concerned that almost all students exited the exam feeling unconfident and worried. Even the most able students were worried they had misunderstood the task. In the current climate of extensive exam testing, we encourage our students to feel confident and relaxed about exams. Our efforts have been severely undermined by the quality of this task.

Teachers and Learning Support Assistants have spent many hours building the confidence and self-esteem of children with learning difficulties. All this achievement was destroyed within the first few minutes of this exam. Several of our supported students were distressed, one extremely so.

The nature and timings of the exam were flawed
The longer writing task taken on Thursday 8th May allowed 15minutes for planning and 30 minutes to answer. The 'shorter' writing task within the Shakespeare Paper has no time or framework for planning and it also gives 30 minutes to write. We object to the fact that in one writing task students are encouraged to plan and yet in another it isn't even mentioned. This is sending mixed messages to students who should be given scope to plan all writing tasks. The exams should consistently reflect this idea.

The writing task in Section A was worth 20 marks and was allocated 30 minutes. The Reading task in Section B (based on Macbeth) was worth 18 marks and yet was allocated 45 minutes. We understand that the longer time for Section B, despite being worth fewer marks, was given so that students could spend time reading the extracts. This, however, was not made clear in the instructions for the exam, nor in the 'Notes for Teachers' and it was another point of confusion for students who have been encouraged to assess the value of questions and allocate time accordingly. This is a skill that is essential at GCSE and needs to be consolidated securely at KS3.

Students were not given any guidance or examples in the exam paper.
In Section A there was no planning framework or guidance on how to respond. At GCSE students are given bullet points to refer to. Similarly, the National Literacy Strategy asks us to encourage guided reading, guided writing, modelling and scaffolding. The task in Section A highlights the fact that the SATs do not reflect the nature of the teaching or learning inherent in the Strategy.

If a task is of a complicated nature, students should be given some guidance or prompts to help them answer.

Carly McQueen, Prince William School, Oundle, Northamptonshire

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Even though I had told them that it would be the case, my students still struggled with the concept of spending 30 minutes on section A (worth 20 marks) and 45 minutes on section B (worth 18 marks). And what sort of joke is it to have half a "Shakespeare Paper" which does not test their knowledge of Shakespeare? Add to this the inordinate amount of time that I felt it necessary to spend on the Shakespeare play and the whole thing becomes a joke. I knew that it would be like this but the 12th Night section A question didn't even loosely relate to the play.

The writing paper had instructions to write a newspaper story but not to lay it out like a newspaper - then it put in a writing frame laid out like a newspaper. It took some pretty careful explaining. Quite a bit of head-scratching going on there.

Doug Jenner

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As for today's paper: the refusal to give any choice shows the contempt with which the question-setters hold notions of student-involvement. Two of my students said they'd written about Macbeth or Lady M as villains, which I'd argue is a much more demanding and worthwhile task than the rubbish set, which dumbs down responses to "villains". Both students needed reassuring that they hadn't "failed". And just now my 11 year old daughter has been in tears at the prospect of her SATs on Monday, even tho' she'll do fine.

I'm attaching Pat Thomson's lovely piece about taking a SAT on her own story, and "failing to understand the intentions of the author..." This makes the key point that SATs dumb down and make students into worse readers: less nuanced, responsive, sophisticated... It's a version of her speech to the packed fringe-meeting at NUT Conference.

A teacher of KS1 students told me she has to award marks for the writing test on the basis of writing-by-numbers: a mark for an adverbial clause, a mark for sustained imperatives etc. etc. This isn't writing, it's Mechano or Airfix...

Patrick Yarker, Norwich

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The examinations officer and head of year 9 came to find me twenty minutes in to the Shakespeare paper because some children were confused and one was even in tears: although we'd done our best to explain the format of the Shakespeare paper to the pupils beforehand, the invigilators were being asked over and over to explain what the writing task had to do with Shakespeare - and of course they didn't know, because it didn't have anything to do with Shakespeare, did it? My second in department and I went into the exam halls and explained to all the pupils that there was no connection - probably illegal, but I don't care. It was a disgrace. Apparently one child was so determined to make a link that she attempted to answer the writing question in Shakespearean language. And as for the marks awarded for the two parts of the paper - maybe the people who set the papers were offering us a compromise: after us saying for years that there shouldn't be a Shakespeare exam, they make it worth even less than the totally spurious writing task.

Best wishes in your on-going campaign - maybe next year we'll finally convince people that these tests are illogical, inconsistent, unfair, stressful and ultimately meaningless...

(name and address supplied)


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The writing question on the Shakespeare paper was the sort of thing you might set A-Level students to consider in relation to Satan in 'Paradise Lost' or Iago in 'Othello'. The letter which seemed to be the centrepiece of the question would surely invite most students to write a reply, but instead they are asked to write an article. To ask a fourteen- year-old to produce a satirical piece of writing in response to a badly presented and clumsily worded question in timed conditions is, to say the least, unreasonable. I find it "strangely compelling" that the people who set this question claim to have any understanding of English teaching.

Paul Lindsay-Addy, Redbridge

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Our students were brilliant in the way they approached these tests but my heart sank when I saw the number of raised hands asking about "shrouded". How are low level 4 students supposed to access this kind of paper? As for the Shakespeare section A wording...well non-specialist teacher invigilators with degrees had problems with that one. With whom did QCA consult as far as wording is concerned???

Alison Whiteoak, Devon


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Our students found the Shakespeare paper completely de-motivating not to mention impossible. The purpose and form required for the shorter writing task were totally unclear and we think that it was scandalous that they could set a question that confounded all abilities. It had no resemblance to anything in the exemplar material and therefore confirmed our belief that the exam should have been boycotted nationally.

Emma Gordon, Harrow