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The May 2003 KS3 Tests
- What Teachers Think
Our English
Department has done everything possible to ensure that students
were fully prepared for the new style English tests at KS3 this
year. We held booster classes for Year 9 students, many of these
taking place after school and during the Easter holiday. We have
also prepared pupils intensively in class time since January using
the materials provided by QCA. All Year 9 English teachers undertook
in-service training on the tests led by the Torbay Literacy Consultant.
The National Literacy Strategy has been fully implemented within
the School, including our less able students completing the Progress
Units.
Despite all
this, however, the vast majority of our students were quite unable
to access the materials provided for assessment in last week's tests.
Difficulties arose, particularly for 'average' level 5 students
and below, in understanding the language of the three texts chosen
for the Reading paper. For example, the words "desires"
and "motivate" (Question 1), "shrouded" (Question
4), and "thicket" (Question 10), are not in the vocabulary
of many of the students sitting this examination.
Further, the
phrasing of the questions on all three papers was generally unhelpful
and sometimes positively confusing. On the Reading paper candidates
were puzzled by references to particular paragraphs by number in
the questions, not knowing whether to count the preamble to the
passages as the first paragraph.
Serious problems
arose with the instruction for Section A of the shorter writing
task for the 'Macbeth' paper, where the wording of the task is fragmented
and unclear. The instruction "write a contribution" did
not convey clearly what was required of students. The use of the
word "villain" and the phrase "strangely compelling"
in the question baffled the majority of students.
Of the three
Section A Shakespeare options, the 'Macbeth' paper seemed particularly
unhelpful. For 'Henry V' the question in Section A gave students
a choice of tasks, even providing 'props' to help students to organise
their ideas. The 'Twelfth Night' task was also worded more clearly,
and with a theme that would be more likely to engage the interest
of students in this age group. It seems odd that students were asked
to spend 30 minutes on Section A which carries 20 marks and 45 minutes
on Section B which carries only 18 marks.
On the Writing
paper the instruction was again confusing. On their planning sheet
students were asked to organise their writing in a framework of
three boxes arranged very much in the style of a newspaper or magazine,
with a box for a headline at the top, and three parallel oblong
boxes underneath. These had the appearance of columns of print,
seeming to suggest that the newspaper report students were asked
to write in their answer booklet should be set out like a newspaper.
At the end of the question, however, there was an instruction not
to write in columns, but this was feint and not highlighted, and
I am sure that many students missed this direction.
I feel that
our students were put through a quite unnecessary ordeal and that
their confidence in English has suffered a severe blow. On a more
general note, I must say that I am dismayed at the remorselessly
utilitarian and obsessively technical nature of these tests, there
being no opportunity for students to display their creative talents.
Patrick Lamb,
Torbay
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The three key criticisms would be:
1. The
paragraphs weren't numbered on the reading paper and yet you needed
to be clear which paragraph this was in order to be able to answer
questions. One paragraph ended with three dots and the next paragraph
(not indented) continued on the next page. Pupils who understand
that dots can be used as a linking device would have been totally
incapacited on both the reading and on the question about the punctuation
marks' function (at the end of paragraph 3).
2. The writing paper asked for pupil's "CONTRIBUTIONS"
to a book. Are we trying to deliberately blind pupils with the actual
question itself? This is a University level academic term for a
written piece: surely we try to make it clear in examination questions
what is required. The test is whether they can do it, not to see
if they know what it is?
3. The questions generally were couched in pompous language requiring
a reading age beyond 14. This before they even tackle the language
of the passages themselves. The entire effect was, I felt , of would-be
clever amateurs who know nothing about modern schooling, coming
up with a paper that reminds them of O level. Exam Boards could
tell them this if they would only consult them.
Gareth Calway,
Norfolk
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What's this rubbish
on the so-called 'Macbeth' paper? As Macbeth is a villain, write
about why we find villains so attractive? This is fine for Titus
Andronicus, Othello or King Lear, but how can the real
villains in these plays (made appealing by soliloquys and their
wit) be
sufficiently comparable to Macbeth that teachers will have even
explained to their classes what a Shakespearean villain is? We
had students in tears because they could not understand the question.
Rob Miles,
Dorset (Getting ready for the appeal)
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The writing paper (30 mins + 15 mins planning) was an exceptionally
dull task. Pupils came out commenting that it was 'boring'. Challenging?
No. Difficult? No. I would also question the purpose of this task
as a dreary test of functional literacy. Pupils were asked to write
a newspaper article and make up events, people and quotes. Surely,
it is not appropriate to ask journalists to invent facts?
Caroline Croll, Twickenham
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Quite apart from my general distaste for SATs - and for English
at KS3 in particular - I object most strongly to the first question
on the so-called Shakespeare paper last Friday.
The connection
between this "thematic" question and the relevant play
was at best tenuous in all cases but I feel there was something
of a lottery involved in which text a pupil had studuied. If the
intention was that all children should be able to base their answers
on something they recognised from personal experience, the "Twelfth
Night" question on dress and fashion at least gave them a little
to go on. The "Macbeth" version, however, demanded a response
to a quite erudite philosophical concept. And for "Henry V",
pupils were expected not only to invent an imaginary situation and
the history behind it but also to write a series of unfocussed persuasive
statements based on this amorphous background. Further, the wording
of the questions was excessive and distracting.
A large number
of our students had to ask for assistance in these circumstances
and I can quite understand why. Colleagues who were invigilating
and saw the paper at the beginning of the session were independently
of the opinion that the first question was overly difficult and
demanding. Children were distressed; there was a measure of panic
and some were even in tears. I have never witnessed such scenes
and was confirmed in my belief that no examination is worth that
amount of stress!
Peter Devine,
Harrow
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We study "Twelfth Night": the question was ridiculously
hard, more A level than KS3. How does Viola use language to hide
her true feelings? What our level 4s and 5s made of that, I dread
to think. Of course, they loved the question on fashion, but that
was banal in the extreme. The "Treasure" reading paper
was the prettiest exam I've ever seen; how much did it cost to produce?
And that's the best I can say about it. Let's boycott next year!
Elizabeth
Ridout, Sutton
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The Shakespeare
Paper - Friday 9th May 2003
The exam was
started at 9.10am. By 9.15am it was clear that a large majority
of students were confused about the task in Section A. Masses of
students raised their hands and told invigilators that they didn't
know what to do. Unable to help them and seriously concerned, the
Exams Officer for Prince William School immediately sought help
and advice from the Deputy Head, the KS3 English Co-ordinator and
other English Teachers. Knowing that we were unable to assist students
in interpreting the question we could only advise that we reassure
students to try their best and try not to be unduly worried.
In our Learning
Support Centre, staff were frustrated and angry that many of the
students receiving support simply could not understand what they
were being asked to do. We are particularly outraged that one student,
a girl with a chronic form of cerebral palsy, was so distressed
she dissolved into tears and was unable to write anything in the
whole test.
Throughout the
day, English staff were faced with children who were worried and
upset thinking that they had failed. It became clear that many of
them had written little or nothing for Section A, therefore jeopardising
20 marks.
It is entirely
clear to us why this happened. The task in Section A has many flaws,
as identified below.
Inappropriate
wording of task
The task immediately alienated students of a lower ability unable
to grasp the contradictory notions of 'light-hearted' and 'villain'.
Similarly, the phrase 'strangely compelling' is far too sophisticated
for the majority of thirteen year olds. Including words like 'Commissioning
Editor' simply serves to make the paper appear more complex than
it is and has no purpose.
Overall, the
language of the task appeared well above level 4 in complexity,
thus youngsters who had worked hard to achieve a level 4 were not
able to show what they were capable of.
Difficult
to ascertain the actual task
The first sentence of the task is placed outside the text box. Because
students have been guided to see the boxed information as source
material, many of them thought that this sentence was the task itself.
'In real
life, no one wants to meet a villain like Macbeth, but in books,
on stage or on screen, villains can be strangely compelling. After
all
'
Their misunderstanding
was not helped by the fact that the sentence ends '
' suggesting
that the students continue the sentence with their own writing.
The interior
box includes a letter to an English teacher. Many students, unable
to see clearly what they were being asked to do, wrote a letter
to the editor in role as the English teacher that included contributions
from make-believe students.
Those students
who correctly deduced that they were being asked to write a contribution
for the book that they would give to their English teacher, were
then confused what form their contribution should take. They were
confused by the fact that the letter asked them to 'analyse' and
yet to do so in 'short pieces'. They knew they were writing for
30 minutes, so were unsure at what length to write.
The actual task,
'Write a contribution for this book,' although in bold, is placed
inside the text box and is therefore difficult to identify as the
instruction.
Students
unsure of the form their writing should take
In addition to the above points regarding length, students had no
knowledge of what a 'contribution' to a book would look like. We
have taught our students to recognise and create a wide range of
written forms including: articles, letters (both formal and informal),
diary entries, reports, instructions, leaflets etc. Never have we
taught them the structure, tone or register of a 'contribution'
to a book. What form of writing are the examiners looking for? As
teachers, we ourselves felt unsure how we would approach the task
- so what chance did our Year Nines have?
The nature of the task was such that we were unable to prepare our
students adequately. We taught according to the 'triplets' but we
used familiar, generic forms to do so. The nature of the task was
clearly open to interpretation - fine for students at level 6/7,
but not for students who are aiming for a level 4.
The task
distressed students
We are concerned that almost all students exited the exam feeling
unconfident and worried. Even the most able students were worried
they had misunderstood the task. In the current climate of extensive
exam testing, we encourage our students to feel confident and relaxed
about exams. Our efforts have been severely undermined by the quality
of this task.
Teachers and
Learning Support Assistants have spent many hours building the confidence
and self-esteem of children with learning difficulties. All this
achievement was destroyed within the first few minutes of this exam.
Several of our supported students were distressed, one extremely
so.
The nature
and timings of the exam were flawed
The longer writing task taken on Thursday 8th May allowed 15minutes
for planning and 30 minutes to answer. The 'shorter' writing task
within the Shakespeare Paper has no time or framework for planning
and it also gives 30 minutes to write. We object to the fact that
in one writing task students are encouraged to plan and yet in another
it isn't even mentioned. This is sending mixed messages to students
who should be given scope to plan all writing tasks. The exams should
consistently reflect this idea.
The writing
task in Section A was worth 20 marks and was allocated 30 minutes.
The Reading task in Section B (based on Macbeth) was worth 18 marks
and yet was allocated 45 minutes. We understand that the longer
time for Section B, despite being worth fewer marks, was given so
that students could spend time reading the extracts. This, however,
was not made clear in the instructions for the exam, nor in the
'Notes for Teachers' and it was another point of confusion for students
who have been encouraged to assess the value of questions and allocate
time accordingly. This is a skill that is essential at GCSE and
needs to be consolidated securely at KS3.
Students were
not given any guidance or examples in the exam paper.
In Section A there was no planning framework or guidance on how
to respond. At GCSE students are given bullet points to refer to.
Similarly, the National Literacy Strategy asks us to encourage guided
reading, guided writing, modelling and scaffolding. The task in
Section A highlights the fact that the SATs do not reflect the nature
of the teaching or learning inherent in the Strategy.
If a task is
of a complicated nature, students should be given some guidance
or prompts to help them answer.
Carly McQueen,
Prince William School, Oundle, Northamptonshire
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Even though
I had told them that it would be the case, my students still struggled
with the concept of spending 30 minutes on section A (worth 20 marks)
and 45 minutes on section B (worth 18 marks). And what sort of joke
is it to have half a "Shakespeare Paper" which does not
test their knowledge of Shakespeare? Add to this the inordinate
amount of time that I felt it necessary to spend on the Shakespeare
play and the whole thing becomes a joke. I knew that it would be
like this but the 12th Night section A question didn't even loosely
relate to the play.
The writing
paper had instructions to write a newspaper story but not to lay
it out like a newspaper - then it put in a writing frame laid out
like a newspaper. It took some pretty careful explaining. Quite
a bit of head-scratching going on there.
Doug Jenner
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As for today's
paper: the refusal to give any choice shows the contempt with which
the question-setters hold notions of student-involvement. Two of
my students said they'd written about Macbeth or Lady M as villains,
which I'd argue is a much more demanding and worthwhile task than
the rubbish set, which dumbs down responses to "villains".
Both students needed reassuring that they hadn't "failed".
And just now my 11 year old daughter has been in tears at the prospect
of her SATs on Monday, even tho' she'll do fine.
I'm attaching
Pat Thomson's lovely piece about taking
a SAT on her own story, and "failing to understand the intentions
of the author..." This makes the key point that SATs dumb down
and make students into worse readers: less nuanced, responsive,
sophisticated... It's a version of her speech to the packed fringe-meeting
at NUT Conference.
A teacher of
KS1 students told me she has to award marks for the writing test
on the basis of writing-by-numbers: a mark for an adverbial clause,
a mark for sustained imperatives etc. etc. This isn't writing, it's
Mechano or Airfix...
Patrick Yarker,
Norwich
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The examinations
officer and head of year 9 came to find me twenty minutes in to
the Shakespeare paper because some children were confused and one
was even in tears: although we'd done our best to explain the format
of the Shakespeare paper to the pupils beforehand, the invigilators
were being asked over and over to explain what the writing task
had to do with Shakespeare - and of course they didn't know, because
it didn't have anything to do with Shakespeare, did it? My second
in department and I went into the exam halls and explained to all
the pupils that there was no connection - probably illegal, but
I don't care. It was a disgrace. Apparently one child was so determined
to make a link that she attempted to answer the writing question
in Shakespearean language. And as for the marks awarded for the
two parts of the paper - maybe the people who set the papers were
offering us a compromise: after us saying for years that there shouldn't
be a Shakespeare exam, they make it worth even less than the totally
spurious writing task.
Best wishes in your on-going campaign - maybe next year we'll finally
convince people that these tests are illogical, inconsistent, unfair,
stressful and ultimately meaningless...
(name and address supplied)
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The writing question
on the Shakespeare paper was the sort of thing you might set A-Level
students to consider in relation to Satan in 'Paradise Lost' or
Iago in 'Othello'. The letter which seemed to be the centrepiece
of the question would surely invite most students to write a reply,
but instead they are asked to write an article. To ask a fourteen-
year-old to produce a satirical piece of writing in response to
a badly presented and clumsily worded question in timed conditions
is, to say the least, unreasonable. I find it "strangely compelling"
that the people who set this question claim to have any understanding
of English teaching.
Paul Lindsay-Addy,
Redbridge
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Our students
were brilliant in the way they approached these tests but my heart
sank when I saw the number of raised hands asking about "shrouded".
How are low level 4 students supposed to access this kind of paper?
As for the Shakespeare section A wording...well non-specialist teacher
invigilators with degrees had problems with that one. With whom
did QCA consult as far as wording is concerned???
Alison Whiteoak, Devon
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Our students
found the Shakespeare paper completely de-motivating not to mention
impossible. The purpose and form required for the shorter writing
task were totally unclear and we think that it was scandalous that
they could set a question that confounded all abilities. It had
no resemblance to anything in the exemplar material and therefore
confirmed our belief that the exam should have been boycotted nationally.
Emma Gordon, Harrow
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